
嘿!
你是否曾羡慕那些看起来自信满满、表演时毫不费力的人?
你是否曾被邀请在卡拉OK或公司活动中唱歌,却因为觉得自己唱得不好而感到恐慌?
或者,你是否暗自希望成为一名职业歌手,渴望学习演唱大量曲目的正确技巧,以便开始以职业歌手的身份演出?
无论你的抱负或目标是什么,我都会传授你所需的所有技巧和见解,帮助你发挥出最好的歌喉。
只有你自己想要的时候才行。
大家好,我是贝芙琳
我是一名专业的歌手、词曲作家和声乐老师, 20多年来,我帮助世界各地数百人改变了他们的歌唱水平。
我拥有25年的演唱经验,曾在公司活动、婚礼和酒吧演出,演唱曲目涵盖流行金曲、爵士乐、节奏布鲁斯、古典乐、音乐剧、摇滚乐等多种类型(英语、普通话、法语、日语、西班牙语、韩语等)。
过去25年中,我曾多次参与国际和地区性活动的演出,例如:
- 2012年亚太经济合作组织(APEC)会议致国际代表:
包括希拉里·克林顿;
- 代表新加坡参加香港亚洲流行音乐节(2012年)
- 代表新加坡与曼谷交响乐团合作演出“东盟歌曲”音乐会,该音乐会汇集了来自东盟各国的歌手和乐器演奏家。
- 为新加坡航空集团、迪奥、法国航空、国际刑警组织世界开幕式、新加坡世界小姐、沃尔沃、雷克萨斯等举办的盛大活动
我相信古典声乐技巧能够塑造适合流行音乐的嗓音(而且你仍然会拥有“流行”的特质,别担心!)。我相信了解自己的身体才能更好地掌控自己的歌声。
似乎会有 一百万种方法 唱歌的方法有很多,但我向你保证,一旦你理解了这些,你就会明白。 唱歌真正应该是什么感觉,唱歌会开始让人感到
不那么可怕,
更令人兴奋,而且
更有趣
(尤其是那些高音!)
我目前在家教授私人学生,也在新加坡莱佛士音乐学院、 新加坡国立大学合唱团和SOMA(音乐与艺术学院)任教。

你内心深处蕴藏着你歌唱天赋的最大潜能。
我将
拿出
最佳歌唱
在你
Why did I name it "SingingTechniques INT"?
My forte has always been teaching singing techniques (I especially love teaching total beginners from scratch, and polishing experienced singers to their best form!).
But it's not just about techniques, though they give you the fundamentals for your singing instrument.
It is also about your relationship with yourself, and your singing instrument:
I = Introspection
Singing requires a lot of introspection. Are you paying attention to your own feelings and thoughts? Are you paying enough attention to how your body feels? Singing requires a super high body awareness, and it is hence no surprise that people with a high body awareness find it much easier to learn and master singing, because they can adjust their body to do what the singing requires, faster.
It can be simple thoughts like, "Am i breathing correctly?", "Was I supporting for that phrase that I sang?", "Was my vocal placement high enough?, "What can I do better next?", etc
N = Nurture
People are almost always surprised by how disciplined (or deprived, depending on your perspective) singers need to be in order to upkeep their singing instruments, that is essentially their own body and health.
If our body, AND our health, is our singing instrument, are we keeping ourselves active to get a better breath going?
Are we stretching and exercising enough?
Are we sleeping enough, and well? (since there is a crucial relationship between sleep and the health of our vocal cords!)
Do we have a nurturing relationship with our mind too? For eg, are we kind to ourselves whenever we fail to hit a high note? Do we tell ourselves that we can be a work in progress and love our own voices too?
If regular water and sunshine are necessary for the best growth of a plant, are we supplying enough of what is required for our singing instrument to flourish and be at its best at all time?
T = Truth
The truth can refer to many aspects in singing.
Are we being authentic when we choose to sing in a certain way? Perhaps we like that style of singing when a certain singer sings it that way, but does it represent who we are in our innermost core?
What are we trying to prove? Are we trying too hard?
Is there a possibility that we are letting our ego take our singing down by insisting on singing the original key (which belongs to the original singer anyway!), OR NOT changing the key because we are scared to, or lazy to?
Is there any denial at all in all the choices we make for our singing instrument?
As we all know, the truth will set you free.
试图给人留下深刻印象可能会让你筋疲力尽。
我知道——你想掩盖自己的恐惧、自我怀疑和错误,让自己完美无瑕。我完全理解。
当我们站在舞台上或面对着一群人时,我们口中说出的话仿佛承载着世界的重量。仿佛它们有可能成就或摧毁我们的自我认知,也有可能给世界留下深刻印象。
我的学生们通过我们的课程总结出了以下成果:
从零开始学习歌唱技巧,并建立一套高效的歌唱系统
对他们的歌声进行精细调整,提供建议,说明是什么让他们的声音独具特色,以及哪些曲目适合他们的音域和演唱风格。
他们从中了解到作为舞台表演者,哪些方法有效,哪些无效。
缓冲它们,避免潜在的错误和语音事故
提高他们的发音和说话音量(这是正确唱歌的副产品!)
我们通过练习来提升他们的技能,从而增强他们的自信心。
但我随后告诉了他们一件令人惊讶的事:
不仅仅是技术的问题。
原因如下……
技术上的“完美”固然是基础,但真正让我们坚持下去的是与自己和观众建立真正联系的能力。这种联系才是快乐的源泉。
所以,别再犹豫了,赶紧出发吧!
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